Veteran camera operator Georgia Packard learned pre-visualization from Ansel Adams. When Packard was a kid, she took summer classes with Adams. “Ansel Adams was such a wonderful mentor,” Packard says, “teaching me pre-visualization in his still photography. We would go out with a pin-hole ‘camera’ shoebox with only one exposure. I knew I had to get it right the first time! I walked around my subject looking high and low, moving far left and right before releasing the cap.”
“I still do that on my film sets,” she says.
Pre-visualize Your Characters
Great advice for writers too. When you put your character in a scene, pre-visualize. Walk around the scene in your mind. Move your character right and left, high and low. Your character is a boy, a high school freshman. He comes home from school one afternoon to find his grandfather lying on the floor, gasping for breath, suffering a heart attack. Walk around the boy. What POV are you using? Looking over his shoulder as he spies his grandfather? Are you seeing his face freeze in fear? Is the grandfather conscious? Does the boy try to talk to him? Does he scan the room for the house’s cordless phone? Does he pull his own mobile phone from his backpack? Does he spin around, hesitating, looking for help that isn’t there?
What does the boy say to the 911 operator? Speak confidently? Stammer? Does he say, “I’m not sure” as a first response to each of the operator’s questions? Is he on the floor next to his grandfather? Standing over him? What’s his stance?
Writers Can Learn from Filmmakers
Packard’s advice: “Never let anyone tell you how impossible it is. Don’t let anybody steal your dreams. If you are passionate about your craft, wanting nothing more than getting an opportunity to live your dream, go after it. I often appreciate these warnings of doom because they focus my resolve and I ‘prove them wrong’. You will never know if you can do it unless you do it. Don’t try, do.
Here’s the full interview with Georgia Packard.